In addition, Hemingway's simplistic style effectively puts vivid images in the reader's mind. In chapter twelve, when Jake is in Burguete with Bill and Harris, they walk outside to go fishing. Jake describes the scene: "It was beech wood and the trees were very old. Their rooms bulked above the ground and the branches were twisted... The trees were big, and the foliage was thick but it was not gloomy" (Hemingway 94). Hemingway does not use any metaphors or similes or any device that an author would use to create imagery. He simply uses adjectives, only describing the trees as "big"and the branches as "twisted." The reader can build off the simple adjectives and create a scene of his or her own. If Hemingway used more complicated language to describe the scene, the reader would have less free will to create a scene of his or her own.
The Wifi Also Matters
Cohn and I were walking down the streets to meet Brett at the cafe. The roads were filled with angry cab drivers, and the buildings rose high and tall. We decided to walk instead of taking a cab. There was typical New York traffic.
I saw Brett sitting under the canopy outside. The sun shined behind me, and her face was gleaming in the light. She had a beautiful face. Cohn and I sat down with her.
"It's beautiful out isn't it?" I said to her.
"It is, and the wine makes it so much better."
Cohn said, "Wine makes any day better."
"I'm tweeting that."
I pulled out my phone but I couldn't pull up twitter, but it wasn't working. And then I realized why.
"What the hell, Cohn!"
"What?"
"You brought me to a cafe with no wifi. Go to hell."
I got up and left. I like Cohn and I love Brett, but the wifi also matters.
Works Cited
Hemingway, Ernest. The sun also rises. The Hemingway library ed. New York: Scribner, 2014. Print.
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